About
Andreas Voccia (formerly Kittel)
Born 1982 in Munich, Germany
Based in Berlin since 2011
Andreas Voccia is a Berlin-based musician working with the modular synthesizer as a performative instrument.
His music draws on unstable analog processes and cybernetic feedback systems, with pitch and noise emerging from the same interconnected circuitry. Complex contrapuntal lines arise from the feedback itself, shaped in real time through an ongoing exchange between his playing and the instrument’s internal dynamics.
His performances explore the tension between abstract, non-human sonic forces and moments of fragile clarity, where musical relationships emerge, shift and dissolve.
In addition to his solo work, Voccia performs in various collaborative contexts across experimental and improvised music.
He is co-organizer of the series TOPO at Zwitschermaschine (Berlin).
Performed with Selected collaborators Frangenheim, Alexander Heenan, Chris Heery, Francis Kim, Jung-Jae Kneer, Meinrad Morimoto, Seiji Voccia, Céline Full list below Anders, Isabel Blondy, Frederic Borges, Sofia Busato, Marcello Cholet, Quentin Centazzo, Andrea Craig, Daniel Delius, Tobias Dimitriadis, Yorgos Dörner, Axel Dunscombe, Sam Eubanks, Bryan Flinn, Stephen Frangenheim, Alexander Glass, Maximilian Hall, Sam Heenan, Chris Heery, Francis Henkel, Brad Henocq, Simon Hirt, Erhard Izquierdo, Lorena Kim, Jung-Jae Kneer, Meinrad Kohn, Gido Kołodziejczyk, Malwina Kouate, Dudù Laju, Vincent Lewandowski, Aziz Mainz, Matthias Marwedel, Dirk Melbye, Adam Pultz Montoya, Mario Morimoto, Seiji Müller, Matthias Navarro, Hector Okuda, Rieko Peters, Natalie Phillipp, Ulrich Pruvost, Christian Pultz, Adam Reanimation Orchestra Rubin, Ola Rupp, Olaf Schliemann, Wolfgang Smith, Greg Solberg, Ståle Liavik Sőrés, Zsolt Stepanov, Fyodor Steyer, Edith Takahashi, Marie Thieke, Michael Tuerlinckx, Anaïs Venitucci, Luca Voccia, Céline Vogel, Sabine Voutchkova, Biliana Vowinckel, Antje Warelis, Marta