Threshold Systems explores the interaction between unstable analog feedback systems and structured pitch organization.

The work is based on pre-composed serial structures, which are continuously transformed in real time through a modular synthesis system. These controlled pitch relations interact with self-generating feedback processes, producing complex and often unpredictable sonic material.

The performance unfolds as a dynamic negotiation between control and instability. Dense, noise-like textures and unstable sonic fields are contrasted with moments of clarity, in which pitch structures emerge, stabilize, and dissolve again.

The modular system is approached as a tactile instrument, shaping form through continuous physical interaction rather than fixed composition.

Format: Solo performance 
Duration: 20–40 minutes; longer or multiple sets possible